When Astrotheme has questions about a person’s birthtime they give everyone the standard 12 o’clock high. For Kubrick that works out well, as he was born at 11:55 according to our rectification. Again, like Errol Flynn, it was a movie that prompted this — this time Room 237 the movie about a movie film, one of those cerebral talkies that are a akin to a literary discussion. For those who are not aficiandoes of the Shining, Room 237 is the mysterious room in the movie that the child Danny is told to avoid — at all costs. For movie addicts, Room 237 is almost the Holy Grail — lots of inside baseball discussions about scenes, props etc.
I read the book last year and was amazed at how much was not there. I then checked some old book reviews and they panned it too — the book is just awful. What Kubrick does in that movie was what the book should have been. Nevertheless, Room 237 does give some good hidden meanings to the film like equating the American Indian slaughter to the Holocaust by pointing out all the Holocaust and Native American motifs throughout the film. It’s definitely a film goers film. (Here’s one hint — all the luggage piled up helter skelter in the lobby like the baggage that was thrown off the trains by the Jews arriving at the death camps. Another is the Navajo sand paintings that decorate the lobby.)
Other popular movies by him are Spartacus with Kirk Douglas, Dr. Strangelove, 2001: A Space Odyssey, Barry Lyndon, Full Metal Jacke, Clockwork Orange and Eyes Wide Shut with Tom Cruise.
As or Kubrick’s chart, Uranus in the Sixth is rather apropos for him as he was unique and idiocyncratic. Saturn in the second house makes sense as he wasthe scion of a wealthy family in the Bronx – unlike Ralph Lauren’s family also in the borough, but who had less money. Next in the Tenth House is Venus + the Sun a propitious aspect for a director; actors and actresses tend to have just Venus. the Sun there gives Kubrick a stronger willful attitude towards the industry — sort of like Orson Wellles — the enfant terrible of the 1940’s. Jupiter in the Seventh House shows a lot of marriages — he had four.
As for his temperament type, Kubrick yearns to be a Splash but he only has two out of the requisite three oppositions. Next up is the Fanhandle, that does have the required midpoint at the top of the chart and really does resemble a bucket but really Kubrick’s Southern bowl is more of a bundle — everything is closely tied up together full of energy and inversion. So choosing the Fan pattern for Kubric, we see that the two distinct p;oints in the second house vy for notice against the other eight. The handle is forever focusing Kubrick’s energies, telling us with the Moon right on the first hosue cusp the pressure he felt of having to be better and quicker and more symbolic than anyone else in the industry while Saturn on the near the third, his desire to make his father proud with his accomplishments as well as getting peers accolade.
Well if he was worried about the latter, Room 237 would solve that problem but then with Neptune conjunct Regulus in the eleventh house of publicity, he knew that.
If you are a Kubrick fan or just love the movie, watch Room 237 here.
Here’s a highlight of the movie for those who just are wondering. https://graphics8.nytimes.com/video/players/offsite/index.html?videoId=100000003370038